Saturday, September 28, 2013

Note

Thanks so much for reading!  

If you would like a paper copy of The Divine Sharpness in the Heart of God, I'll be putting out a print-on-demand version sometime before Thanksgiving. 

If you're new to this blog: you can read the whole novel starting here: Chapter 1. 

If you just finished reading it, please write and tell me what you think!  kspirn@gmail.com

If you're an agent or publisher or you're just really rich or well-connected or something and you hella need to publish this right now, please let me know.

Epilogue: Tree Politics


Lights come up on Girl, naked, her body scratched, brown from sun and forest dirt.  She is lying on a broad stump.  It is the remains of her mentor, Old Laurel. The trees around her are projections of green, orange and gold, shifting and growing. Their speech is music, a chorus of voices and chimes, rising from the earth and blowing like pollen in air

Trees: Get up. Move. You can move.

Girl (like a corpse): No. I can’t. I don’t want to.  I’m too sad.

Trees: M-o-o-o-o-o-v-e. You are a person. You can move.

Girl:  I was supposed to become a tree. A tree like Old Laurel.

Trees: A person can’t become a tree.

Girl: Not now. He was the only one who would teach me.  Now he’s dead and I’ll never become a tree.

Trees: What is dead?

Girl (rises up on one elbow): Dead. You know what dead is.  Not with us anymore. Gone.

Trees: He is not gone. He is with us.

Girl (angry, sitting all the way up): No, look. (Runs her hands over Old Laurel). Gone. I put all my faith in him, and now he’s gone.  He’s gone forever.   

Trees: He’s here.

Girl: Where?

Trees: Below you.  Look down.

Girl (turns her head downward, trying to look through Old Laurel, through the dirt): I can’t.

Trees: He’s there.  He runs deep in the earth.

Girl (collapses again, lies hopeless and still): His roots. But they chopped down his body.  They took it away somewhere.

Trees: There is no body.

Girl (silent for a moment, sighs, stares into the leaves and branches above her). You don’t understand. Old Laurel was my teacher. He was the one who gave me hope.

Trees: He still gives you hope.

Girl (lies on her back, staring upwards): No. He’s gone and I don’t have any hope.

Trees: You can feel him.  You can feel him on your skin.

Girl: (lies still)

Trees: You can smell his sap.

Girl: I can smell him.  If I stay right here.

Trees: He is in you. His particles are wrapped up in yours, and you take him with you as you move. You live and breathe him.  His life is in you.

Girl (a long silence): Okay.  Maybe in a while.

Trees: It’s what people do.  You move.

Girl: Just a few more minutes here.

The projections around her grow faster, brighter, their voices rising into a chorus.  Dancers surround the girl on the stump, jumping and swaying.

Trees: 

You are never lost,
Never discarded, never abandoned,
Never broken. 
You are here.

You are above and below,
Dirt and air,
Water and light.
You cannot be gone.
You grow where you are.
You live in everything.
You are everywhere.
You are here.



Saturday, September 14, 2013

Chapter 40


Act III, Scene II

The lights rise on Thomas McGrew III, alone on the slide.  He sits motionless, bible open on his lap, staring left past the proscenium. His face is very thin, and his back is stooped unevenly. He is so still that the audience might think he is a statue.

Very slowly, so gradually that it is barely perceptible at first, the slide begin to buckle under him.  The spot where he is sitting sags low, then even lower under his weight. He continues to stare offstage, towards the spot where Thomas McGrew IV disappeared. After five minutes, there is a giant creak, then a snapping noise.  The slide cracks in two. An avalanche of rubble crashes downwards. The bible flies high into the air.  It lands on the right half of the slide, slides down a few feet, stops. Thomas McGrew, still on his stool, hovers in mid-air for a moment, then drops straight down into the abyss below. 

For five minutes, lights shine on the ragged halves of the broken slide, the abandoned bible. 

Then lights fade to black.  The show is over.

* * *

“These body fluids, this defilement, this shit are what life withstands, hardly and with difficulty, on the part of death. There, I am at the border of my condition as a living being. My body extricates itself, as being alive, from that border. Such wastes drop so that I might live, until, from loss to loss, nothing remains in me and my entire body falls beyond the limit.”
—Julia Kristeva, Powers of Horror.

* * *


Really nice to see you.

Yes, sad circumstances.

Important that we can come together at times like this.

He would be so happy you’re here.

It felt weird for sure, being back in New Buffalo, in that giant room on the top floor where they held all the big English department events like job talks and yearly welcome receptions for new graduate students. But that’s how it was supposed to feel, right?  Weird, surreal, you know, given the circumstances. He hadn’t gotten around to visiting since he moved away three years ago, and now he really wished he had, at least once.  It was only an eleven-hour drive, or a two-hundred dollar flight, but he was really, really busy, and anyway, who was there to visit? 

Well, nobody now.  He should have come back sooner.  The email from Marjorie Mendelssohn showed up in his inbox last week.

I am truly sorry to report the passing of our colleague, Dr. Jeremy Frick.  The University of New Buffalo English department invites you to a memorial service celebrating his life and work .  We hope you are able to attend.

So that was that.  Couldn’t put it off any longer.  Time to get in the car and drive to Indiana.

The service was pretty nice, even though Marjorie led it. Lots of professors gushing and holding back tears and listing accomplishments. Of course every speaker started and/or ended with the requisite Funeral of Giants reference. We find ourselves at the funeral of a true giant in Irish literary studies, stuff like that.

There was a reception after, with wine and crackers and cheese and strawberries.  It felt kind of weird to have to eat, but he hadn’t had any lunch, and the department had actually sprung for some decent cheese for a change, not that rubbery brie from the supermarket.  He couldn’t really get a bite in though, with everyone hugging him and patting him on the back and talking about how sad it all was.  He steered to a quiet corner where he could gulp down his wine and shove a couple crackers in his mouth.  He felt better there, by himself.  

Someone touched his shoulder.  Marjorie Mendelssohn, in an olive green suit with flowy pants. Her arms were open, her hand on his elbow now.  He couldn’t figure out what she was doing at first, but then he realized she wanted a hug.

Okay.  He stuck his arms around her without really touching her, cup of wine in one hand, plate of cheese in the other, trying not to spill anything on her back.

“Oh Gavin.”  Her voice was watery.  “It’s so good to see you.”

It is?

“I’ve been meaning to get in touch.”  Her hand was still on his arm like they were old friends.  “To congratulate you on your article in New Irish Modernism Studies.  Your career really seems to be taking off.  We’d like to do a spread on your upcoming book in the next department newsletter, if you wouldn’t mind.  I was going to write and ask you, but then, you know, all this.” 

She waved towards the center of the room, at professors in brown outfits, hands crossed over their chests as they talked in little groups, graduate students drinking wine and looking all exhausted. Kat was there, tottering on black heels, being consoled by some guy from the history department. 

“You must be terribly upset,” Marjorie said.

Was he?  He wasn’t sure.  The situation was sad, definitely. Like, Jeremy Frick has finally officially dropped dead of a heart attack, how sad.  But he didn’t exactly feel sad.  The whole thing seemed weirdly redundant, like some dead part of his past had risen and re-died.

“I’ll be okay.”  He managed to get the last chunk of cheese—something blue, maybe Roquefort--off his plate and into his mouth without putting the cup of wine down.

“Of course you will.”  She squeezed his arm a little harder.  “You’re resilient.”

He smiled a little, sort of bravely, and headed back to the food table for more cheese.  Randy Ledbetter was there, filling up his plate with a couple of everything.

“Gavin! You look good,” Randy said. Which was a lie. Since moving to Kansas, he had put on thirty pounds, grown one of those fat-guy necks that puffed out under his chin. The only gym was on campus, and he hated running into his students all sweaty and flushed.  And all the food wherever you went was cooked in butter. It was fine.  Once his book was out and he had a better job in a better place, he could focus on getting in shape.

“Sad news,” Randy said. He looked pretty much the same, round face, white beard. Short-sleeve button-down with a fleece vest over it.  He popped a giant strawberry into his mouth.

“Very sad,” Gavin said.

“Though hardly unexpected.”  Randy leaned in towards him but didn’t lower his voice.  “Of course, you knew he had a problem. All those pills.”

“Uh huh.” Gavin looked around to see if anyone could hear.  It’s not like he was Miss Manners or anything, but it seemed a little rude to be talking shit about a guy at his memorial.  The only other people at the food table were some grad students refilling their wine cups, and they looked too tired to notice. 

“It wasn’t Kat who found him,” Randy said. Gavin could see the wiry beard hairs poking out of his pores, the strawberry juice clinging to his lips. “It was some other girl, an undergrad. This girl just showed up in the afternoon, opened the door and found him all blue and cold.  No one knows what she was doing at his house.”  He shook his head, kind of smirked. “Poor guy.”

Gavin wasn’t sure what to say, so he took a tiny bite of his own strawberry.  It was big and juicy and red, like a strawberry was supposed to be, but it didn’t taste like much of anything.

“You in touch with Sinder?” Randy asked.

“A little.”  As in, they had chatted online a handful of times.  Last Gavin had heard, Sinder and Rona had broken up again.  Actually, that’s always when Sinder messaged him, right after a breakup with Rona.  Whether they were together or broken up, they still shared the same apartment in Brooklyn, along with four other roommates even though the lease said three-occupant maximum.  

Rona’s performance piece about the trees had just been staged for the first time.  Everyone fucking loves it, Sinder said.  He was working in a coffee shop. Gavin still had his philosophy dictionary.  He took it off the shelf once in a while, those days when he felt especially lost out on the prarie.  He would lie on his couch and thumb through entries on Descartes and Foucault, daydreaming about Sinder and porn and wandering through the forest.  

“Well, send him my regards,” Randy said. “I always thought it was too bad he left.  Talented guy.  He could have been one of us.”

“Okay, yeah,” Gavin said.  “I'll tell him you said hi.

After that it didn’t seem like there was anyone else he needed to talk to. He took the stairs down, stopped at the third floor, graduate student offices.  The halls here were like a maze, a couple quick turns to get to his old office.  He turned the knob in case someone had forgotten to lock it, but no, it was locked.  He leaned his forehead against the window and stared in.  It was still pretty much empty, the same handful of dusty journals on the bookshelf.  Somebody had left a photocopied article on the desk with the computer, scrawled all over with blue pen. 

Remember.  What it felt like to be a student.  It washed over him, that fuzzy pleasure of uncertainty, of not being the expert yet, of being unfinished.  A child.  Sitting in that office, scrawling all over some article by Grover Maloney, dreaming of the day he'd be a real professor. He hadn’t expected that it would be so much like becoming an adult.  You didn't get wiser, just more responsible, heavier.  Deeper in.  More lonely.  More stuck. 

Finally, for the first time since he had learned about Frick’s death, he started to cry.  It erupted out of his mouth, unexpected, loud wailing sobs. He put his arm up over his head, cried into the cold glass of the window until it was foggy and smeared.

“I’m okay,” he said.  He stood up straight, wiped his face with his sleeve. He kind of laughed.  Funny to be standing alone in the English building on a Saturday, crying into the silence of the empty hallway.

Then he began to cry so hard he had to sit down, but there weren’t any chairs.  So he did what the undergrads did when they were waiting for office hours and sat on the stained carpet, his back against the wall.  He held his head in his hands and cried and cried, loud womanly wails like somebody had died.  Somebody besides Jeremy Frick. 

After probably twenty minutes, he was done.  He got up off the floor, went to the bathroom with the graffiti scratched into the mirror to rinse his face.  There it was: puffy, flushed, red-eyed.  His cheeks were fuller than the last time he had looked into this mirror, his jawline meaty in a way that made him think of his father, or Randy Ledbetter. Serious, responsible.   A man.  

“This is what you wanted,” he said.  And now you're here. No point complaining about it. He splashed some water over his forehead and eyes, dried off with a brown paper towel that smelled like elementary school.  Better.  A little blotchy still, but generally composed.

He walked the rest of the way down the stairs, out into the quad, the warm air of late spring in Indiana.  From here, he could see the University Marriott, where he was staying. It was right at the edge of campus, towering above the college’s mismatched architecture.

“Gavin.”

Crap. He really didn’t want to talk to anybody.  He patted his face to see if it felt puffy.  A little.  It’s okay to look upset, he reminded himself.  Memorial service

He turned around.  Kat.  Pretty much the last person he wanted to talk to.  But it’s not like you could be an asshole to a woman whose partner or whatever had just died. 

She couldn’t walk too fast with how high her heels were, so he stopped and let her catch up to him.

“I’m so glad you could come,” she said.  “It would mean a lot to Jeremy.”

“Yeah, I’m really sorry,” Gavin said.  “Um, for your loss.”

Her lips curved into a smile, deep red on pale cream. 

“I appreciate that.”  She walked a little closer to him, right next to him.  When he looked over, he could see the tops of her boobs jiggling with the rise and fall of her heels. Maybe that’s why women wear them, he thought.  

“I loved your article in Irish Modernism Studies,” she said.

“You read it?”

“Of course.”  She linked her arm into his, like they were lovers strolling down a boulevard in Paris. The black dress was made of something crêpey that crinkled gently over his skin. He shivered, but then relaxed into it.  Her partner’s memorial. She probably just wanted some comfort from an old friend. Right? 

“That whole point about Maddy’s baby was just amazing,” she said.

“Oh yeah, that.”  Of course it was that.  That was everyone’s favorite part of his argument.  Nobody seemed to notice the subtle analysis of abjection and time, how Stump’s use of silence conveyed the horror of death and the unknown.  It was always Maddy’s baby, Maddy’s baby.

They had reached the front of the hotel now.

“Well, this is where I’m staying.” He pulled his arm out of hers, crossed both arms over his chest, waited for her to leave.  But she wasn’t leaving.  

“It’s a nice hotel, isn’t it?” she said.  “I’ve never actually been inside.”

She was just standing there, hands behind her back, shoulders curved a little forward to make sure he could see down the front of her dress.  He could.  The there was burgundy lace on the top of her bra.

He uncrossed his arms, scratched his head, crossed them again. 

Wow. 

She must be distraught.  He was pretty sure this was the kind of thing distraught women did.   

He studied the roundness of her hips, her breasts swelling above the pin-up waist. Was she wearing a girdle? Whatever it was, she looked pretty decent, if you didn’t think too much about it. And let’s face it, because living in west Kansas it was the undeniable truth: there was no way he would encounter another moderately fuckable woman for the next six months at least.  Maybe a year.

“Want to come in?” His voice kind of croaked, probably from all that crying, but he cleared his throat and pulled it together. “For some coffee or whatever?”

She smiled, flushed and triumphant.

“I thought you’d never ask.” 

Thursday, August 29, 2013

Chapter 39


Act III, Scene I 

As the lights come up, Thomas McGrew III and IV have reversed positions on the slide. Thomas McGrew IV stands far to the left, a few feet from the proscenium. He is naked, hairless, covered in scabs, gaunt as a war prisoner. He stares offstage, down the slide. Thomas McGrew III sits to his right, on his stool, his cane at his feet.  He is reading a worn copy of the Douay-Rheims Bible. 

TMGIII: “And when this mortal hath put on immortality, then shall come to pass the saying that is written: Death is swallowed up in victory.” 

He looks down at the emaciated back of Thomas McGrew IV.  Thomas McGrew IV does not move or acknowledge him.

Thomas McGrew III leans his forehead on his hand, sighs.  He lifts his head, takes a deep breath, returns to his bible. 

TMGIII (flipping the pages, then stopping): “He said again to them: Fear not, neither be ye dismayed, take courage, and be strong: for so will the Lord do to all your enemies, against whom you fight.”  Do you hear that? 

He looks at Thomas McGrew IV, watches his back for a moment, looks down at the bible again. Thomas McGrew IV is starting to slide slowly forward, towards the proscenium.  He is not walking, rather gliding as though riding a conveyor belt. 

TMGIII: “For, amen I say to you, if you have faith as a grain of mustard seed, you shall say to this mountain: Remove from hence hither, and it shall remove: and nothing shall be impossible to you.”  So you see, it means, if you truly believe…

He looks up, sees Thomas McGrew IV sliding towards the edge of the stage.  

TMGIII (gasps): Son! 

He drops the bible to the ground and grabs his cane.  He tries to stand, trips over the bible, falls hard to the ground.  Kneeling, he reaches his cane down the slide towards Thomas McGrew IV. 

TMGIII: Grab it, son! Turn around and grab it! Turn away from the end! 

Thomas McGrew IV finally seems to hear.  He turns his head, looks over his shoulder at Thomas McGrew III on his knees, cane extended.  Their eyes connect for a moment.  A hint of apology passes over Thomas McGrew IV’s face. 

TMGIII: Son. 

Thomas McGrew IV turns towards the proscenium again, continuing his slow descent. Thomas McGrew III crawls his hands forward, reaching the cane farther and farther out in front of him. 

TMGIII: It’s not too late! Son!  Turn away from the end.  Turn away. 

He has stretched himself so far that his belly is flat against the slide.  Thomas McGrew IV glides slowly to the edge of the proscenium, passes it, and disappears. 

TMGIII (sobbing): Turn away.  Turn away.  (His voice becomes a whisper) Son. 

He lies on the floor, bible at his feet, cane in front of him, staring down the slide. His face is crumpled in pain. He shakes, mostly silent, occasionally emitting long, hollow retching noises.  He never drops his head. 

After five minutes, the lights fall. 

* * *

Gavin ran his fingers over the leather seat of the couch, crossed his legs one way, then the other way, tried to remember what it was that he usually did with his legs when he sat.  

Jeremy Frick was on the other side of the office, making espressos with a little machine on his desk.

“I’m supposed to cut down on caffeine,” Frick said, carrying two tiny black mugs on tiny saucers over to the coffee table.  He set them down on either side of a wrapped present that was already on the table. “I got you something. To celebrate you finishing your dissertation.”

The paper was scarlet with perfectly folded corners.  A book, probably, and probably wrapped by Kat.  It was the last thing Gavin wanted, a gift, something to make him feel guilty and indebted.  What he really wanted from Jeremy Frick wouldn’t fit in a box. 

He wanted Frick to convince him to move to New York. That’s why he’d come here.  He would present the evidence, the pros and cons, remaining cool and disinterested.  And Frick—the maverick, the hip professor who swore and took recreational Adderall and dated his students and talked nonstop shit about the department—Frick would tell him to run, go, follow your heart! 

“Should I open it?” Gavin asked.

“Business first.”  Frick sat in the chair across from Gavin and crossed his arms over his lap. He was looking a little extra tired, not in the attractive way anymore, just plain old tired, with watery eyes and cheeks that sagged a little over his jawline. “So. Kansas.”

“Yeah,” Gavin said.  “Kansas.”

“Have you accepted yet?”  Frick took a sip of his espresso, pointed at the little mug in front of Gavin.  “Drink.”

He picked it up, tasted it. The flavor was dark and direct, like it could cut through pleasantries and bullshit and get right to the heart of things.  He put the cup back down on its little saucer, click. “That’s what I need to talk to you about.”

“You should accept. No point dragging it out.”

“The thing is.”

Frick waved his hand in the air, dismissing whatever Gavin was about to say.

“You don’t want to move to Kansas. I know, it fucking sucks.  But you'll only be there three years. Five max.”

“Right, but.”  He breathed deep, took another sip of espresso.  Swished it in his mouth, glanced up at the picture of Frick at the MLA convention, glowing with the confidence of new celebrity.  He looked away, quick, swallowed the espresso.  Here we go.  “Kansas is kind of a mess.”

Frick leaned back in his chair, pinching the tiny handle of the tiny mug between his finger and thumb.

“I mean the school is a mess,” Gavin said. The chair basically told me not to work there.  They don't even have any English majors. The department is in a trailer.”

“You really don’t want to refuse a job offer,” Frick said.  “Not in this economy. If you stay here, we might not even be able to offer you a teaching position next year.”

“Well. I was thinking about moving to New York.” 

New York.  Gavin watched Frick’s face, waiting for the smile, the nod, the acknowledgment: what kind of idiot would choose Kansas over New York?  Go, my son, fly from this sad way of life, be free. 

But no, no smile.  A worried twist of the thin lips, a furrowing of the eyebrows.

“Do you have something you’d be doing there?” Frick asked.  “A job?”

“No. I mean not yet.  A couple of my friends are moving there.”

Frick sipped espresso in his mouth and held it for a second, his cheeks sucked in. More espresso, more cheek-sucking. He tipped the cup upwards to drain the end of it into his mouth, and set it down on the table with a decisive clink. 

“Is this about a girl?” he asked.

“Maybe. Sort of.” 

Gavin finished his own espresso, that bitter sludge at the bottom, and studied Frick’s face.  Doubt, concern, much more the disapproving father than the cool older brother.  He doesn’t get it. That was okay.  Gavin just wasn’t explaining right.  Time to start over.

“I took this DMT.” 

Was that an okay thing to say? He looked at Frick. A slight eyebrow raise, a hmm noise.

“You did.”

“And I had this, um, vision.”

Frick stood up, plucked the two little cups from their saucers, carried them back over to the desk.  He scooped coffee grounds into the top of the machine, pushed a few buttons, and more espresso started pouring out of two spouts at the bottom.  

“You can see some amazing things when you're on drugs.” He moved a stack of books so he could lean on the desk and look at Gavin.  “I mean it.  Really amazing things. But you need to remember: they’re not real.  They’re just effects of your mind being messed up.  They’re interesting and everything, but you can’t put too much stake in them.”

He brought the second round of espressos over.  He didn’t set them back on their saucers, just handed one to Gavin and sat down in his chair holding the other. More espresso was the last thing Gavin needed—he’d already had two and a half cups of coffee at home, just to work up the guts to come to this meeting.  But he took a sip anyway. It didn’t taste as good as the first one, thinner with a layer of oil floating at the top.

Frick leaned forward in his chair, elbows on knees, cup right below his face. “You know what my advisor told me when I was in graduate school? Academia is a test of resilience. The people who make it to the top aren’t the ones with the best ideas.  They’re the ones who can see past all the indignities of the present moment to the greater goal ahead.”

The light from the lamp overhead hit his face, showing a web of tiny red veins covering his cheeks and nose.  His eyes were lined with red, too.  A queasy burst of fear hit Gavin in the stomach. He had never thought to worry about Frick, the pills, the heart attacks that were just one of his many quirks.

“You’re at an intersection,” Frick was saying. “The road is bumpy, and you think a different path might be smoother.  Here’s my advice. It’s just advice, you can take it or leave it.  But for what it’s worth.  Stay on the path you’re already on. The path you committed to. The people who succeed are simply the ones who never got tempted off of the path.”

He leaned back, shrugged, speech over, and pointed at the present on the table.

“Why don’t you open it.”

Gavin knew for sure that it was a book as soon as he picked it up.  A hardcover.  His hands shook a little—all that caffeine—as he tore through the wrapping paper.  The book’s forest-green cover was faded with age, but the binding felt solid.  Gold lettering announced the title. 

Time Slide. 

“First edition,” Frick said, his pale cheeks stretching into a smile.  “Look inside.”

Gavin opened to the title page.  The elongated, loopy signature of Liam Stump.

“This must have been expensive,” Gavin said.

“Read the card.”

It was tucked between pages.  Not really a card, more of a note, written in black pen on a folded piece of creamy stationary.  

My Dear Gavin,

Congratulations on the completion of a truly stellar dissertation. Your explication of Stump cuts right to the heart of his meaning; no analysis of his work has rung more true. You speak for Stump in a way that he could never speak for himself.  I look forward to watching your career blossom, as it surely will, and will take no small measure of pride in claiming you as a student and friend when your scholarship reaches its full level of acclaim.

All the best,

Jeremy Frick 

Gavin held the note between his hands, read it, read it again.  No analysis of his work has rung more true.   

“I mean it,” Frick said.  “Every word.  Look.”  He leaned in towards Gavin, resting his pointy elbows on his knees.  It took his face out from under the light, and he looked a little better, a little more handsome-sickly instead of sick-sickly.  “Soon enough this time of uncertainty will be forgotten.  You’ll have your career as a professor and everything will be settled.  You’ll look back and you’ll almost miss this time of youthful confusion, when everything was so scary and new and you didn’t know how it would all turn out.  But not really, because you’ll have a job, the kind of job you always wanted, and the respect and admiration of your colleagues.  And if it’s girls you’re after, you’ll have plenty of those, too.”

He kind of laughed and Gavin kind of laughed, like it was a joke, but neither of them actually smiled. Nothing about this felt like a joke, not even a little.

“I’m never getting out of here,” Frick said.  “I'm stuck. I’ve been working on the new book, but it’s not going much of anywhere.  I’ve lost the drive.  But you.” 

He slid a little closer, reached towards Gavin’s lap, put his hand on the copy of Time Slide.

You're going to be a rock star.”

He stood, picked up the empty cups and saucers, carried them over to the cabinet behind the desk where he kept his never-ending supply of glasswear.  Gavin watched his narrow shoulders, the stoop of his back, as he opened the small door to the bottom shelves. 

"Of course it's your decision.”  Gavin could only see his back, bent over in front of the cabinet, rearranging things as he spoke. “Part of being an adult is making hard decisions, decisions that will alter the course of our lives.”  Clink clink, glasses being moved around.  Something fell, clunk, but no shattering. A relieved sigh.

He came back with a little prescription bottle, balanced it on top of the book on Gavin’s lap.

“Xanax, for anxiety,” he said.  He squeezed Gavin’s shoulder, right where muscle connected to bone. “You look really stressed out.

 <Chapter 38 
Chapter 40a>